She sent a brief letter round to Phillips, and a telegram to the nurse, preparing them for what she meant to do. She had just time to pack a small trunk and catch the morning train. At Folkestone, she drove first to a house where she herself had once lodged and fixed things to her satisfaction. The nurse was waiting for her in the downstairs room, and opened the door to her. She was opposed to Joan’s interference. But Joan had come prepared for that. “Let me have a talk with her,” she said. “I think I’ve found out what it is that is causing all the trouble.” And the insincere, the self-seekers, the self-advertisers! Those who were in the business for even coarser profit! The lime-light lovers who would always say and do the clever, the unexpected thing rather than the useful and the helpful thing: to whom paradox was more than principle.!

“I’ll try,” he said. “No,” answered the other, “I was at Hastings—Miss Gwyn’s. Funny how we seem to have always been near to one another. Dad wanted me to be a doctor. But I’d always been mad about art.”

“The old pulpit became an evil, the moment it obtained unlimited power,” answered Mrs. Denton. “It originated persecution and inflamed men’s passions against one another. It, too, preached war for its own ends, taught superstition, and punished thought as a crime. The Press of to-day is stepping into the shoes of the medieval priest. It aims at establishing the worst kind of tyranny: the tyranny over men’s minds. They pretend to fight among themselves, but it’s rapidly becoming a close corporation. The Institute of Journalists will soon be followed by the union of Newspaper Proprietors and the few independent journals will be squeezed out. Already we have German shareholders on English papers; and English capital is interested in the St. Petersburg Press. It will one day have its International Pope and its school of cosmopolitan cardinals.” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. Madge dropped in on her during the week and brought Flossie with her. Flossie’s husband, Sam, had departed for the Navy; and Niel Singleton, who had offered and been rejected for the Army, had joined a Red Cross unit. Madge herself was taking up canteen work. Joan rather expected Flossie to be in favour of the war, and Madge against it. Instead of which, it turned out the other way round. It seemed difficult to forecast opinion in this matter.